Tuesday, September 28, 2004

Thoughts About Playing at Borders

I was feeling intimidated by Russian-born, Hollywood-store playing, multiple Real (looking) Album recording, gorgeous, "Marina V", and noticed that she was playing at, of all places, RSM on Friday, so I stopped by. She sings pretty well, plays a big electronic piano and has a guy playing guitar along but mostly inaudibly. Writes her own songs -- I listened to 4 or 5, and they all sound pretty alike. I wonder if it's because they *are* alike, or if it's because the "sound" (her voice and the piano) is the same, or if it's because they're all songs I've never heard so they just run together. Mostly, they're all very earnest, very serious, very somber. She introduces each song with a little story about it ('cuz she wrote 'em), and they all have some very serious Meaning to her ("I wrote this song while thinking about my little brother, back in Russia, who I miss very much..."). I was hard pressed not to shout "Lighten up!" at her. The place was very sparsely populated -- probably only 4 or 5 people in the coffeeshop itself (and one guy was clearly working on some kind of chemistry term paper on his laptop). I think she essentially sombers people right out of the room.

She did commandeer a table at the "back" of the coffeeshop (by the magazines) (which she could afford to do, since there was almost nobody using them), and had a little display of CDs, a tip jar, some small posters, and a little sign: "Marina V CDs, only $10". I guess this allowed people to just serve themselves. It looked a little better than a table dedicated to holding just a tip jar (as our analog would be). I'd be very surprised if she'd sold any, though. Or made any tips, for that matter.

I think it points up the strong symbiosis between venue/audience-type and band/music-type. K&W and RSM "match". Marina V and RSM don't. Perhaps she's a big hit at, say, the Hollywood store. We may be completely humiliated in Hollywood tomorrow night. But, hey, it'll be a story to tell, whichever way it goes.

Monday, September 20, 2004

Name That Tune

This is pretty cool...

http://www.name-this-tune.com/

a.k.a. "Musipedia" (.org)

It's a music encyclopedia, built on-the-fly by its users, on the Wikipedia model. Uses a clever tune searching method called "Parsons code", where a tune is described only by its changes, up, down, or repeated. Seems to work -- I found "Over the Rainbow" with it. The tune was detail-described by another notation method called "Lilypond", which had the tune, but sans rhythm, so in the spirit of public interest, I figured Lilypond out and went ahead and put some rhythm cues in.

Good fun, and potentially useful someday -- check it out.

P.S. Here's the Parsons Code for "Rainbow", just to get you jump started:

*UDDUUUDUD