The sound was, as always, clear and clean, helped by my trying out (at Warren's suggestion) a different (and far less obtrusive) "effect" setting on the Harmony Box. I thought the harmonies themselves were working pretty well -- partly because I've abandoned using it at all on some songs. I killed some of them because the box can't track my fancy guitar work and sings "mistakes", and others because the original recording's harmonies run *below* the melody, which was fine when the melody was up pretty high (like in Beatles songs), but since I've had to transpose them down, those lower-harmonies are more like bass lines and sound terrible. But all of these songs were do-able before I had the harmony box, so I can go back, no problem. I haven't yet started working up the harmony-required songs that I couldn't touch pre-box. Except "Cinnamon Girl", which I've been dying to play, but sounded weak without the harmony. It may not work *with* it either, but...
Later on, a nice older lady that we've seen several times before (she calls us "Sweetie") came in, and asked if I knew any songs from the 40's. Oddly, I have more from the 30's, but I played all I had of both.
Anyway, it was pleasant, and we made ten bucks each, which is quite a lot for this place.
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