Keith at Borders Mission Viejo -- 23Aug2008

Wow, what a night! I drove over there wondering, as I often do, why I was still doing this. Clearly it's not about the money, but there's usually not much appreciation either...

Anyway, I went over to the Info desk to get somebody to fetch the store's equipment, and as the guy went off to get it, the college girl behind the counter suddenly asks, "Are you Keith?". I said yes, and she asks, "Are you ever looking for a violin player?" Huh?!? That's pretty out of the blue, and strangely worded, but I recover and say, "Sure! But we don't get paid or anything." She's aware of that, but wants to sit in anyway, and says that she's "classically trained, but I can improv". I'm thinking that anybody with the guts to ask, probably knows what they're doing, or thinks they do -- and if not, what have I got to lose? Anything to shake it up.

So I start setting up, but thinking about it, I realize that since I only play there once a month, and it's 50/50 whether Warren will be there too (which would complicate the issue, with two "lead" players), that tonight's a pretty good chance for her to do it, if she's gonna. I found her at the cash registers and told her as much, but she said that she's working until 10:30 (a half hour past closing time). I presumed she'd get a dinner break sometime, and suggested that she go home and fetch the violin then. She said she'd think about it.

Well, she must have decided to go for it, 'cuz an hour or so in, she showed up with her case. I asked her what songs she thought she could handle, and she started with Paul Simon's "America", to my surprise -- not really an "easy one". But she kept up, and played around in the right key, and it sounded good to me. Then she chose Eric Clapton's "Wonderful Tonight", which has a signature Stratocaster riff, and I thought she meant to play it on the violin, and she said, no. Huh? Then why this song? But I played it anyway, and she did better, 'cuz it's a more obvious chord progression, and slower.

Then she asked for "Whiter Shade of Pale". Cool! It's got a signature Hammond organ line that's based on a tune by Bach -- she can play that line, and it'll sound great! But, again, nope. And again, why'd you pick it, then? But she played some stuff that was similar, and it sounded OK anyway -- though the official line would have been more impressive.

She said she'd have to get back to work after one more, so I suggested "Let It Be", 'cuz it's pretty straightforward, and she's bound to know it. And it did work out well.

Between the songs, I tried to impress upon the audience how cool this was, but I guess it was just "some people playing" to them, and nobody seemed as excited as I was to have her there. Oh well. I had to ask her name so I could introduce her -- it's Melina. I talked to her at the end of the night, and she had fun, and I told her that she's welcome any time. I don't know if she'll be wanting to come to any gigs that aren't in the store she works in, but we'll see what happens.

Of course, Daleen thinks that if I want a violin player, I should recruit Geneva. And I love that, but she just doesn't have the time, nor inclination. I guess I should have been working on her, and with her, over the summer...

Anyway, after Melina left, I kept playing, and after a while, some new people filtered in that, for some reason, were really enjoying the music. I had 3 or 4 people around the room that were really into it, and asking for songs, and clapping -- for real, not that "polite" stuff. Their interest seemed to be contagious, and for the last half hour or more I was more connected to an audience than I've ever been. By far. It was amazing. And of course, it's a loop where I play better and better, and people start listening more, and around we go. Exhilarating.

And, for a while at least, I knew why I keep doing this...