Sunday, August 29, 2010

Keith (finally!) back at Spectrum -- 28Aug2010

It's been 10 weeks since my voice mysteriously quit working right (I'm beginning to suspect foul play), but it's been getting slowly better, despite the help of modern medicine.

When you're young and you hurt your knee, you "walk it out" to get back in the game. As you get older, you reach a point where you do the opposite -- immobilize it. Since the doctors were no help, I've been trying to figure out if I should "work out" my voice (by singing at home a lot and/or playing a gig) or if I should take a vow of silence for a couple of months.

I guess I've decided on the former. Most of the warbling/lack of control is gone now, so the main remaining symptom is loss of the high end of my range. Unfortunately, it's not accompanied by a corresponding increase of range at the low end, but the only way I could come close to singing my usual songs was to play them lower by tuning my guitar a whole step down, and hoping for the best with the low notes.

Naturally, this makes my guitar sound growly, and takes away a lot of the "sparkle", but I didn't have much choice. It also makes me sound a lot more profundo -- not a very "pop" sound. Most pop songs are sung by tenors, and I've already transposed them down for my baritone voice. This further-drop takes them into scary-low range, down in Caiaphas territory.

I was hoping that, as my voice warmed up, I would regain some of the high range, but it really didn't happen. Usually I gain about 3 half-steps in the first hour or so, but last night it may have been only one. This is somewhat distressing, 'cuz it may mean that the "work it out" method isn't working.

But it sure was nice to be back up there again, and people didn't seem to notice much. The mostly-high songs sounded OK, 'cuz they weren't too low in the tuned-down state. The medium-range ones sounded pretty funny to me, but nobody threw any tomatoes...

I had forgotten how much *stuff* have to set up, and take down. Or maybe it just seemed like more hassle 'cuz I'd lost the routine of what goes where. I'd also forgotten how much 4 hours of playing trashes my back and knees...

The good news was that they've moved the stage again, almost back to where it started. The little candle/jewelry shop in the middle of the food court went under, so the stage is now right in front of it, using its front doors as a backdrop. This puts the stage "front and center", and it's nice to have a wall behind me, ever since the "hat stealer" incident (q.v.).

Had some nice people there, and got some good reactions (and 66 bucks), especially during the last half hour. I'm starting to wonder if they'd let me play from 7-11, instead of 6-10. I keep having to quit just when it's getting good -- all the 7:00 movies let out around 9:30, and some folks are looking for something to keep the evening going.

But I finally got to play the song I was working (and working and working) on when my voice quit: "Suite: Judy Blue Eyes". The "suite" part indicates that it's really 4 movements, strung together. I'm hoping that my dazzling Spanish (born of Two Whole Years of high school classes) in Part 4 keeps people from noticing that I'm entirely skipping Part 3, just 'cuz I can't make it sound like anything on guitar. (Besides, canaries are yellow, not "chestnut brown" anyway, right?) Unfortunately, it's one of the "low, so now even lower" ones, so, kinda not OK until my voice catches up.

I also played my new Obsession Song of the Week, which I'd just really worked out earlier in the day: "Nature Boy". It's from 1947 and very jazz-chord-y, but I worked out a way to play it that sounds pretty good to me. It's OK, I waited until nobody was listening, but it seemed to "work".

Had a young couple come up and ask me if I used to play at the Borders in Santa Margarita. Absolutely -- it was my favorite place to play. But they shut it down, like, 5 years ago. It was flattering that they remembered me -- and Geneva. They asked if she still played with me, but I had to tell them that she's 18 now, and wouldn't be caught dead...

Another couple came up as they were leaving and said that they'd missed me (during my 10-week absence). Also flattering. And a guy asked if I knew "Still Crazy", which, why yes, I do! It's not on the list, but it's in The Book. It's great when that happens. But what's with little kids waving at me during songs? Can't they see that my hands are busy?

Anyway, I'm up again next week, and we'll see if my upper range comes back over time. The "exercise" doesn't seem to have helped, but at least it doesn't seem to have done any damage, either. But I don't want to have to play/sing so low forever...

5 comments:

Jeff Bowman said...

Rock on Comer, rock on! It is cool that you've stepped back into the gig and I do hope your voice steps into it too. Very nice that folks remembered you and your songs...

John Johnson said...

Foul play indeed... I heard that some guy named "Moriarity" was playing The Spectrum during your absence. Take good care of that voicebox... or you'll end up working as the morning DJ at WOLD.

Keith said...

Mostly, I've got to be back to "concert pitch" in three weeks, 'cuz then I'm playing with Warren, and my guitar being tuned down will *really* screw him up.

Warren said...

Don't worry too much about me...! Do whatever it takes to make it possible for you to stay with the program. I'm just guessing my way through most of the songs anyhow, and I can always substitute guesswork for the songs I do have 'worked up...' parts for. The good news is that you're Back in the Saddle Again!
'Nature Boy'...!? Did Jeff's post a few weeks ago inspire you to check into that one?

Keith said...

Indeed, Jeffy's suggestion of the Pomplamoose "Nature Boy" video totally blew my mind. I'd never consciously heard the song before, though it features (probably more than once) in one of my favorite movies, "Moulin Rouge" (which also inspired me to learn Elton's "Your Song"). The final line of "Nature Boy" is used as The Theme of the whole movie, and apparently David Bowie sings it through the credits, but it never really registered with me.

But now I haven't been able to get it out of my head for a week. I basically didn't have any choice but to work it up, one way or another. I love the essentially bass-only Pomplamoose version, but I don't really have that option, so I worked up chords for it (the Internet being its usual no-help self in that regard) with some of the same feel, I hope. I'm not sure that anyone Out There really wants to hear it, but that's the thing with compulsion -- it don't have to make sense.