I think a big part of what made it work so well for me, though, was the sound. Usually there's someone else playing on the other corner, so I'm afraid to be an obnoxious jerk (as some of them are) and play so loud as to interfere with their stuff. This time, there was nobody over there, so I was able to accidentally turn it up quite a bit louder than usual, so I could actually hear myself. I love when that happens...
When it's louder like that, I can hear myself, so I play and sing better, but the people can hear better over the traffic noise, so they like the music better, and people from farther away can hear the music and come on over if they like what they hear. Win-win-win-win-win.
So, even with the reduced traffic, we were getting through to a much higher percentage of the people who *were* there, brought in about $70, and had a great audience most of the night. I didn't give away any bubbles, but had some tiny kids to give fingerlights to, later on after dark. I'm a little worried when I do that since they're not really intended for teething, but I guess the parents will have to keep an eye on that.
I got to play "The Sound of Silence" again, and it's working out pretty well, I think, so it may move up to The List soon. The harmony's a little problematic, since it's a lower harmony and I don't sing very high, and the guitar part doesn't give the box enough data, soon enough, to get the harmony part right. But with some hopefully-subtle modifications to the guitar part, I think I can get it to work.
I also played my new kids/teens song, "Kiss the Girl" from "The Little Mermaid" a couple of times, and that one's definitely working out, too. It sounds great with the harmony box (and *terrible* without it -- "Please, Mister Postman" is the same way). And at the very end, we had a pair of seniors sitting and listening and requesting great songs, and suddenly, dancing!
In a strange arrangement, the city of Mission Viejo lets a private club of about 80 rose gardeners tend the city's Rose Garden, which they do for free. So the city people decided to throw them a nice Appreciation Dinner, and asked me to play background music. More fallout (along with the Farmer's Market gigs) from getting to know the Santa Claus booking lady.
Almost everybody in the club is "older", you know, like me, so they all really liked my stuff. I played through dinner, then quit so they could have their recognition announcements, after which about half of them left. But some of them stayed specifically to listen to me some more, and said so! Even during the evacuation, more than half of them said something like "I loved your music!" as they walked by to leave.
It was outdoors, but in a quiet enclosed patio area behind City Hall, so the sound was terrific. Indeed, I could hear myself so well that it was intimidating, having to play every word and note perfectly since they were so clear. Especially after playing the street corner in Laguna for so long lately, where I can barely hear anything and am just playing and singing on faith.
So I had a great time -- great sound and lots of appreciative people listening. And I got paid, too -- can't beat that.
Summer is clearly winding down -- less traffic again, and definitely fewer tourists. But right off the bat, we had a clump of high school kids, just done with the beach for the day, who stayed for quite a while asking for songs and then failing to listen to them (but still fun to have around). Not sure how this bodes for their attention spans when school starts...
Had more trouble with the sound -- this time caused by dead batteries in the amp itself. This is understandable, since I've been using the amp for all of these Laguna gigs, and haven't had to replace them yet. Eight "D" cells is a lot of juice, but not infinite.
But this is definitely a recurring issue with this "all battery" setup. The harmony box and the wireless mic's receiver both run from the rechargeable battery pack I rigged up, but there are regular alkalines in the guitar's pickup, the mic's transmitter, the D.I. and the amp. And the usual symptom when any of them starts getting weak is distortion, which is also caused by overloads of anything by anything that's up the chain, so it's kinda hard to tell what's wrong, but it's easy to tell that *something* is.
We played to almost nobody a lot, but then four happy (half-drunk?) ladies ("from Peru, South America!") came and sat down, to sway and sing along with "Let It Be". Naturally, halfway through it, the amp went from distorting to garbling, to cutting out. I had some spare batteries, but it takes a while to install them, and the ladies moved on. Drat.
But later on I snagged a little crowd with a set of all "nostalgia" tunes: "Leaving on a Jet Plane", "Homeward Bound", "In My Life", etc. We had a nice couple (who, almost on cue, added "You've Got a Friend" to the set), and a young family, whose cute little girl helped bring in other people, just watching her delight. She was only 2 years old, but when she figured out that there was a guy singing up there, she started asking for "ABCD!", and I surprised her trying-to-explain parents by launching right into it (it's just the alphabet, sung to the tune of "Twinkle "Twinkle"). First kid I've run into that likes the ABCD version better.
Anyway, I guess the sound was finally acceptable (and the traffic noise was abating), 'cuz I was starting to get the couples who are marching past, only to have one spouse stop the other one to listen for a while. I love when that happens. And when I spot people not slowing down, but mouthing the words to the song I'm singing, in spite of themselves. Your feet say no, but your mouth says yes.
But that crowdlet dissipated when the little girl left, and I decided that 9:00 was time to go on home. We packed up and I counted up the tips ($52) while the bluegrass kids set up to take over the spot. They're really good, and people love the novelty, but the crowd's pretty thin that late.
I don't usually go down to Laguna on a Saturday night because Warren plays down there with Jim on Saturdays. But this time they had a gig elsewhere, so I figured I could go snag their spot on The Corner.
I had a lot of trouble getting the sound working right at first. It's ridiculously complex, what with there being tone controls on the guitar's pickup, the "D.I." box, and the amp itself, and volume controls on the pickup, the D.I., the harmony box, and the amp. And they're all liable to get tweaked just from packing and unpacking in the crate so even when I get it working one time, it'll be screwed up the next. I know -- duct tape. Don't think I haven't considered it...
Anyway, I was getting distortion on the guitar for one reason, and distortion on the vocals for another. And it's kind of embarrassing to try to fix the issues with people sitting there waiting and watching. But I eventually straightened it all out -- for now. I think. Probably.
Once I could relax about all that, it was pretty fun. More activity than on my usual Tuesday and Friday outings, of course. Sold 3 CDs, one of them apparently for a twenty, which brought the jar total up to $84. And I managed to get some kids around so I could give out some bubbles and fingerlights, which seems to be my primary objective these days.
I also tried out my latest song attempt, "The Sound of Silence". I have the beginning guitar part worked out pretty well, and the rest is trivial, but it's one of the few songs where the melody is the high part and the harmony is below. The harmony box can do it that way, but since my voice isn't anywhere near as high as Artie's, I can't capo as high as Paul does, so the lower harmony coming from the box sounds like someone singing bass. I'll have to experiment with how high I can risk sliding the capo after singing for a while, when my range goes up quite a bit.
Still not very many people out, but they seemed less hurried, so I was able to drag a few groups in to sit for a while and listen.
And there were even some kids to give bubble tubes to. At first there was an Asian family, and I tried to get the two kids to come over and take some bubbles from me, but they were too shy or afraid of taking gifts from strangers. I was a little worried that their dad would see and be upset at me, but when he finally noticed, he shouted, "Hey, thanks!" and made his reluctant kids get up and come take them. It was odd that the kids were more conservative than their dad...
But mostly it was a low-traffic, low-pressure evening, and I was able to quit at 9:00 and get in bed at a reasonable time for once. And $60 in the jar, so I guess the Olympics being over did help some. I suppose I'll go down a few more times, but it certainly looks like summer is dwindling down.
My wife set up a "weekend getaway" to Santa Barbara, partly for me to see the college my daughter wants to go to, and partly just to have fun. Santa Barbara's State Street is a lot like Forest Street where I play in Laguna, but 5 or 10 times longer. It's where all the funky shops and restaurants are, and all the night life happens there. And the sidewalks are really wide, so it's easy for performers to set up almost anywhere. I definitely had to give it a try...
I found a spot near the "Old Town" clock, in front of a closed office building so I wasn't blocking anything, and started playing. I got a lot of smiles, but hardly anybody stopped to listen. I may not have been loud enough, but I was worried about local no-amps laws and zealous cops. And it's a really loud street, with party buses, limos and low-riders cruising by with their loud music, and the Dixieland band in a bar across the street that seemed to get louder as it got later.
A young family stopped in front of me to eat some ice cream, so I asked the 6-year-old girl who kept watching and smiling at me if she'd seen "Tangled". She didn't answer at first, so I asked again. She tugged on her mom's skirt, so I asked the mom, whose one word reply was "French". Oh.
This may actually help explain some of the non-response -- it seemed like more than half of the conversations we overheard up and down the street weren't in English. Maybe nobody understood any of my songs...
Anyway, I only made six bucks in an hour and a half, but it was fun and exciting to play in a new place. I did have two cop cars drive by without stopping to hassle me, so maybe next time I can be a bit more bold.
I got down there at 5:00, expecting to be early enough to get the main Corner, but there was already a guy I've never seen before playing there. I wanted to hear him play a bit, to see what kind of stuff he was doing, and hear him play the harmonica he had on a rack, but as soon as I walked over he said, "Do you want this spot?" I had to admit that I kind of did, and he immediately put his guitar in the case and took off. Apparently he was ready to quit, sitting there on the bench in the blazing sun, with only 8 or 10 bucks in his case, and just needed an excuse. I was glad to have the Corner, but I did kind of want to hear him play at least one...
And after an hour or two of plugging away myself, I can see why he was ready to quit. There were a lot fewer people out, and hardly any tourists with time to spend. I had one nice lady stand there and listen and sing along for a while, but hardly anyone else.
Until a high-school kid came zooming by with a djembe drum. He pulled up and decided to play along with my stuff, so I tried to find some songs that could use some drum reinforcement.
He stayed and played along for a long time, burning through all my rhythmic songs, and then some. He had some chops and mostly adapted to different kinds of song beats, but he was just never quite on the same beat as I was -- and was quite a bit too loud. And since he didn't know most of my songs, had no awareness nor sensitivity to where there were pauses or slow-downs. It just wasn't working.
I thought that he'd get bored if I just kept playing my mellow stuff, which I was forced to do anyway since I'd run out of fast stuff, but he was persistent. After a while of that, and since I was hungry, I just quit playing, found a snack in my box, and walked away to talk to some of the "regulars". He *still* didn't get the hint, so I gave up and came back to play some more. Mercifully, finally, some of his friends happened by, so I handed him four or five bucks out of my jar, and off he went.
I/we didn't really get anyone listening for the hour or two that he was there, but I don't know if that was because of his playing or not. I didn't really get much response after he left, either...
Until a family got in line for ice cream around 9:00, with the dad holding a little 4-year-old who was clearly fascinated and staring at me as I finished a song. So I fired up "Twinkle Twinkle", and they got all excited and jumped out of line to come closer, and the dad asked for "Over the Rainbow", which I not only know, but is one of my best tunes. Other little girls appeared from nowhere, and within a few minutes I went from playing to nobody to a full-on party with a half-dozen kids, their parents, and other passers-by smiling at the kids having fun.
Unfortunately, it was a really long evening of No Fun, to get to that Really Fun half hour. I only made $35 for the 5 hour shift, and only sold one CD (so apparently my clever sign isn't working). Maybe it's the Olympics on TV, maybe the tourists have all gone home already, or maybe it was that drum-"enhanced" period in the middle of the evening. But it's fun enough when it does work that I'll give it a few more tries before I write it off.
It occurred to me that the CDs are kinda hard to see, sitting on the crate next to me, and that maybe the tourists would buy them if they considered them a "souvenir". So I made up a sign to try to attract attention, get the "souvenir" idea across, and help people buy them without having to ask me "How much?" all the time.
And it kinda worked, I guess. I/we usually sell no CDs at all, sometimes one or two on a good night. This time we sold three -- not a huge spike, but considering how few tourists were out (I don't want to be accused of "profiling", but face it, you can tell the tourists from the locals), I think a pretty high percentage of them were drawn in by the sign. One couple who sat and listened for a long time bought one for $20, and the lady told me that they'd listen to it "on the way home" to San Diego.
There were disappointingly few little girls whose moms wanted to hang out for a while. I was dying to give away some of my new "daytime handout" bubbles, but there was nobody to give them to! Finally a little girl appeared, and I gave her a bubble tube, with instructions that she should provide the "special effects" for the next song ("Over the Rainbow" -- I know, kind of mixed metaphors, but work with me here). She proceeded to blow great bursts of bubbles, all through the song and the next few, as if it was her life's work. I didn't really mean for her to take it so seriously...
We pulled in $90, which was a nice surprise considering the low traffic. We played for 5 solid hours, 5:15 to 10:15, when I called it off. The first few hours were mostly a waste, but if we don't get there early, we won't get Greeter's Corner, and the whole evening will be a waste. I guess I'm in for next Tuesday...
I asked for dates in August too late, and got stuck with just a Sunday. The stores all close at 8:00 on Sundays, so I figured I'd play from 4 to 8, instead of the usual 6-10. But that was a mistake -- I had almost nobody listening until about 7:00. And it was *hot*.
There's a little kiosk out near the stage these days, with a guy selling balloon animals. After a while, a lady came to join him, drawing caricatures. Once she'd set up, she needed to be drawing something to help attract attention, so apparently she chose me. And later on, she tossed it in my guitar case with the other tips. That was nice of her. On the other hand, the music, running way past "closing time", kept her in customers far longer than she expected, so I guess I repaid her efforts a little bit at least.
Oddly, despite Sunday afternoons being when you'd expect more kids to be out, I never did snag any for the usual dance party. And as much as I was dying to find some kids to give my new "daytime present" wedding bubble favors to, no kids ever slowed down enough for me to be able to hand any out.
But pretty much as soon as the sun went down behind the buildings and it cooled off a bit, people started to slow down and listen. Then it got pretty fun. As different groups of people found out that they could ask for songs off the list, I got three deep in requests at one point. And I finally got some little girls to give some bubbles to.
And it just kept being really fun, even though the mall was theoretically closed at 8. I guess nobody told the people that...
But after a while I was feeling really tired and my fingers hurt, but I kept and looking at my clock, and thinking, "Gee, it's only 8:30". But at 9:30 I realized, "But I've been playing since 4!", so at 9:45 I told the remaining listeners that it was past my bedtime and shut down. If I ever get stuck with a Sunday again, I'll start at 6.
I had sold out of the 8 "Favorites" CDs, several of the Kids' ones, and a few of the "Dad's CD" that I brought, and there was $97 in the jar. The "setup fee" (illustrating that it's really more of a "tribute") is cheaper on Sundays -- only $25 instead of $50, so at least I made more than the Center did. I can't help thinking that I'd probably have done better on the corner in Laguna, but it's nice to have the "big setup" with the good sound once in a while.
I decided to try playing on the street again for Art Walk, but this time I'd be on my own -- Warren usually plays with Jim on Thursday nights. And they endeavor to get Greeter's Corner, so even though it was empty when I got there, I looked around for another place to set up. (Unfortunately, even though I had deferred the Corner for Jim & Warren, another guy beat them to it anyway -- so I might as well have been the guy who snagged it. Oh well.)
April was already in the Acoustic Alley, so I went down to the other corner, but instead of setting up on one of the corners, I asked permission to use the raised "boardwalk" in front of a little boutique store there. It was theoretically ideal, on the main side of the street, raised up like a stage, well lit...
But it didn't work out very well. There were lots and lots of people out, but they (almost) all just zoomed on past me. Either they didn't want to stop there in the middle of the busy sidewalk, or because of Art Walk, they all felt like they had to get to all the galleries, so didn't have time to stop. There are a lot of people in a hurry on "normal" nights, too, but at least some of them are "wandering" and willing to hang out for a song or two. Or the time it takes to eat their ice cream.
So I just felt like some kind of "decoration" -- people would glance over and sometimes smile as they went past, but only a few groups slowed down to listen to a song, or choose one. About halfway through the evening, I moved over to the green spiral art/bench thing, hoping that people would feel like they were able to step out of traffic, but it didn't seem to help much, and when the sun went down, I was standing in the shadow of a tree in near complete darkness, unable to see or be seen, so I moved back to the boardwalk.
And then I was visited by a 3 or 4-year-old completely unsupervised Persian Demon-Boy. I tried to appease him by giving him a finger-light, but he only used it to further terrorize me -- beaming me in the face and trying, for some reason, to touch it to the guitar, while I was playing. His inattentive big family parked on the bench 20 yards down the street were no help -- his dad came down 3 or 4 times to speak sharply to him, and then walk away and let him carry on, undeterred. They didn't even notice when I gave up, unplugged, and walked halfway up the street with the little monster in tow.
By 9:30 there was almost nobody left, and the Bluegrass Prodigy Kid was hauling in whoever was still around, down at the Alley, so I packed it in. When I got home, there was an even $50 in the jar, so I didn't do as bad as it felt, but, as always, that's not the point. It's nice to have an "approval rating" score (and, they're "dollars" -- even better than "points"), but I'd really rather have people listening than their money. It's way more fun down there on a normal night, at Greeter's Corner, with happy people hanging around. Not sure I'll even bother with Art Walk next month -- or maybe I'll go back to Susie's store...
Terrific night! I don't know why a Tuesday had more traffic than Friday or Sunday did -- maybe it was Synchronized Swimming night on the Olympics…
I got there really early to stop by Chico's, but I didn't find the lady anyway. Whatever -- it got me up and playing by 4:45. That's probably too early to get any kind of traffic or response, but it does guarantee getting the Greeter's Corner spot.
After a while, a lady with a sweet smile stopped by. She was clearly enjoying the songs, so I asked her to pick one. She stared at the list for a while and mumbled something that I couldn't catch. After a few tries, I finally heard her: "I had cancer". I guess she was trying to explain her twitchiness, but I was really just looking for a song title. Anyway, she was a total sweetie, and stayed a long time, dumping money in the jar (for which I gave her two CDs), and "sit-dancing" along to the tunes in her twitchy but endearing way.
After a while the sun went down and she was freezing, and tried to leave to go to her apparently-close-by home to get some warmer clothes, but she liked the songs too much to leave. I felt bad watching her shiver, so I finally asked her to find her *least* favorite from the list, so I could play it and she could break loose. But she wouldn't pick so I just refused to play any more until she left -- after I promised I'd still be there until at least 9:30, and she had given both of us a big hug. She never did make it back, though. Maybe we'll see her again some other night.
We also had a pair of young ladies sitting on the bench speaking Romanian to each other. I thought they were waiting for someone/thing, but apparently they were really listening to us. So I started playing the most internationally classic songs I could find ("Let It Be", "Country Roads", etc.). After a while, one of them left, but doe-eyed Renee stayed a while, and it occurred to me that it was a perfect opportunity to try out the so-far only half-baked rendition of "California Girls" that I've been working up, after telling her, "This is for you". She was apparently charmed by that, and came up to apologize for having to go a few songs later, and later on "liked" my page on Facebook. If that's all it takes, I'm gonna have to do that more often.
And later that night, a bunch of local high school girls dropped in to dance, laugh, talk too loudly, and generally start a party right there in front of us. They were there for a long time, but finally left to pursue some local high school boys, as is their wont.
Anyway, we had enough traffic to keep us interested until we finally gave up at 10:15, when a guy who we hadn't realized was "waiting" and not "listening" came up and started his "set" -- singing well, loud, and high, and banging on a guitar plenty loud enough with no amplifier at all. Turns out he's visiting from Colorado and just wanted to give Laguna busking a try. He could have gone to any other corner, but maybe he wanted to hang out so he could ask me all about the harmony box.
I'm not sure how we got to play so long -- two nights before, my set was ended at only 4 hours, mid-song, when the battery that runs the harmony box died. But the extra-long 5.5 hour set, a few CDs sold, and the heavy traffic netted us $112 for the night, even without any disproportionate contributions from my family doctor. When I'm playing alone, I bring the tip jar home and count it up while I'm having a before bed snack, but when I'm with Warren, I have to count it up on-site to give him his share. Uncrumpling, stacking, and counting all those loose ones takes a while, but it occurred to me that I shouldn't complain about how long it takes to count the money -- the longer the better!
I probably shouldn't really be playing Every. Other. Night. But you know what addiction is like -- gotta do it anyway, even though you know it's not good for you. The blessing/curse of playing street corners in Laguna is that I can do it any time I want. And I *always* want…
Of course, it's also a Limited Time Offer -- once school starts up again and the tourists go home, it won't be nearly as fun, so I've got to get it while I can. At least that's what I'm telling myself.
But I kind of had to go down anyway, looking for the lady at Chico's to ask her if I can play in her shop on Thursday for Art Walk. It turns out that Chico's is a women's clothing store, and not as gallery as I had assumed. I guess that's OK, just because of its ideal location, but the lady I'd talked to wasn't there anyway, and the other ladies were busy with customers.
So I guess I'll see if she's there on Tuesday night, and if not, I'll just go in on Thursday Art Walk night, and if she's there, or not, just offer to play in the shop. And if they say no, I can just go find a corner anyway. But playing in a shop would be much more quiet, and I could use my good big amp instead of the not-so-good little amp. We'll see.
Lots of people out, more than Friday (and I made $66). A guy came up that said he lived near to James Taylor and asked me to play some of his songs. I said, sure, but don't tell James...
Later on, a little 2 or 3-year-old girl that was being towed past by her mother just dug her heels in and, once liberated from her mom's hand-hold, started dancing to the decidedly non-dance song I happened to be playing. Of course, I played "Roll Over Beethoven" for her as the next one, and some teenage girls came out of the ice cream shop to dance along with her. Just during that one song, the crowd ballooned up to more than a dozen people, smiling at the little dancer(s).
And at some point, a teenage girl came over, bought a CD, looked at me and said "You're amazing!", and walked away again. *That* was nice to hear.
